I’ve already ticked the Design museum off of my 24 museums list, but I was so impressed last time, that I bought a membership. So I’m afraid a Design museum write-up might end up a regular feature.
They’ve changed over the main exhibition since the last time we visited – it’s now a Paul Smith retrospective called ‘Hello my name is Paul Smith’
The exhibition is great. Really great.
It covers Paul’s life and design philosophy – from school to present day.
Paul left school at age fifteen, with the dream of being a cyclist.
After a serious road accident, he started to take his job at the clothing warehouse a little more seriously.
After conversations in the hospital with city’s art school students, he decided to manage a boutique.
With encouragement from his wife Pauline (!), he opened his own tiny shop on a backstreet in Nottingham in 1970.
The shop was 3×3 metres square, with no windows. Essentially a big cupboard.
The next exhibition room shared a small part of Paul’s art collection.
Paul writes that his collection at home includes Warhol, Hockney and Banksy, but also works which have been sent by friends, family and ‘unknown enthusiasts’ since the 1990s.
The collection is beautiful – I’m sure you could spend hours in this one room and not get bored.
A theme that emerges again and again throughout the exhibition is the notion that ideas can come from anywhere.
Paul keeps track of the countless images and ideas that come into his head with a digital camera and a notebook, that he fills with sketches, words and telephone numbers.
In Pauls words: “Everyone looks, but not everyone sees.”
There’s a reconstruction of Paul’s Covent Garden office – which is cluttered with lots of objects – testament to his philosophy of jumble inspiration.
“The only tidy surface in my office is a huge rosewood table that is always empty. The rest of my office is a madhouse – there are books, bicycles, cameras, rabbits, robots, kitsch things, letters, bills, and bits and bobs from all over the place.”
In the next space along, there was a layout of Paul’s first ever show room, in a Paris hotel.
It was drawn out in cartoony, inked style – I loved it.
There was also a reproduction of the Covent Garden design studio.
Paul, again, talks about the huge quantity of references that are used to form new ideas.
Again, it shows.
Paul’s signature stripes were (obviously) on show here too.
They develop their stripes by winding coloured yarn around cardboard.
This lets them see how the colours are working together, and how the balance of the stripe will work on a garment.
For some reason, I was really drawn to this invitation for a fashion show.
It’s handwritten, photocopied onto luminous orange – and it looked cool as f***.
Talking on his approach to fashion – Paul said:
“My clothes are rooted in tradition and express modernity. Classic with a twist. I like my clothes to hold a secret – a sober grey suit with a brightly coloured lining, ties with unexpected linings.”
“My stripes have been popular because they are colourful – colour makes people happy. If used in the right way, colour can add interest and express positivity. Colour has been added to classic garments in the forms of linings, or simply punctuation marks.”
“My designs often draw on very British traditions and motifs. Past collections have referenced, for example, the British postage stamp, rock’n’roll, the Women’s Land army, British poets, artists and eccentrics, and much, much, more.”
Top stuff from Paul Smith & the Design Museum.
If you have a spare afternoon before it ends, take the time to visit – you won’t regret it.