I’m still trying to take shots of the venues/stages pre-gig. I’ve been late to one or two, and the act’s been on stage already. But, in all, I don’t think I’m doing too badly on this challenge.

No3. Adam Buxton @ Kings Place, Work-in-progress show

Adam Buxton

No4 & No5. Tim Key & Josie Long @ Union Chapel, Invisible Dot

Union Chapel

No6. Joshua Ross @ Leicester Square Theatre, New Comedian of the Year. *I could have finished the challenge with this night alone, as we saw about 20 comedians in total – but I’ve decided just to count the champion.

New Comedian

No7. Mark Thomas @ Tricycle Theatre, Cuckooed

Mark Thomas

No8. Comedy Store Players @ Comedy Store

Comedy Store

No9. Tim Key @ Invisible Dot KX, Father Slutmus

Tim Key Father Slutmus

No10 & No11. Stewart Lee & Josie Long @ The Bloomsbury Theatre, Robin Ince’ Christmas Ghosts

Bloomsbury

Headed down to Playful 2014 a few weeks ago. Here are things that stuck with me:

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Jemima Kiss (Head of Technology @ The Guardian) compered the day. She quoted Alan Rusbridger early on, when she said “Maybe we don’t need to be profitable. Maybe we just need to be sustainable.” I liked that.

First up – Dan and George from Aardman. They talked to us about hidden easter eggs in gaming.

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Was interesting to hear that the first easter-egg was invented back in 1978 by Warren Robinett, who rebelled against his employer’s (Atari) policy of not giving credit to game designers. He placed a hidden object in the game that would allow players to reach a screen that displayed the words “Created by Warren Robinett.” Easter ego, more like.The Aardman guys talked about how including easter eggs is a way of ensuring that fun transcends into the game. By doing it, you bake in fun.

Rachel Coldicott was up next, talking about cats and curiousity. She spent quite a while trying to work out whether she could predict the weather from changes in her cat’s daily routine. It didn’t work. Funny quote though: “I track, therefore I am.” She’s made a habit of tracking things that don’t really matter, and has most recently started noting down what she’s listening to at specific points on her commute. Fun talk.

Henry Cooke spoke next. I loved his talk. He talked about radio amateurs, that have been picking up seemingly random sequences of numbers on unscrambled shortwave radio frequencies. It’s suspected that these radio stations are used by governments to communicate with their intelligence officers around the globe. Using one-time pads (a pretty much unbreakable crypo-system developed at Bletchley Park), the numbers allow a message to be communicated safely and securely. These radio stations have been tracked for years, but recently have began switching off. And it’s believed that twitter is the newest channel they’re being communicated over. So next time you see a random sequence of numbers in a tweet – don’t automatically assume it’s a twitter bot. It might well be governments conversing with a spy out in the field.

After Henry’s brilliant talk, Annie Machon spoke next. Annie is an ex spy, who worked for MI5 between 1990 and 1996. There she met her partner David Schaler – who was a precursor to modern day whistleblowers like Edward Snowden. She shared some fantastic insights about MI5, such as the enhanced vetting procedure that starts in a three hour interview in an unmarked building off Tottenham Court Road, and goes on to a tree-diagram of surveillance and interrogation of all of your close friends and family. Despite the supposed glamour of being a spy (jumping in and out of safe houses throughout London, saving lives and working undercover), Annie talked of the lack of privacy and unshakable paranoia that she’s felt since she left the service. Amazing talk.

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James Brown and brothers talked about their physics-based, multiplayer game ‘Gang Beasts.’ I’m not totally up on game development, so struggled to understand a lot of this talk – but funny to hear that despite trying to create a cooperative game, they ended up creating a very violent, competitive game instead. Like brotherhood I suppose…

Steve Lloyd’s talk was really interesting. He talked about our hidden relationship with objects, and how when wearable technology is adopted fully, products will have an online space intrinsically attached to their physical being. Simply by scanning a bar code, you’ll get access to reviews, messages and much more. That space will soon become a battleground – where brands and brand managers fight to remove user generated reviews, and instead put marketing-approved advertising. Get ready for some interesting times.

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Next up we had a couple of interactive game designers. Subalekha Udayasankar talked about a game that she’d developed with friends to draw attention to the invisible drones that have entered our lives. And Ida Marie Toft showed us her interactive piece ‘Lovebirds’ live, which was certainly interesting (it involved venetian bird masks with broken circuits within the beaks, that light up when beaks are rubbed together.)

Dave Birch spoke after Lovebirds. He’s a fantastic expert when it comes to all things fintech, and was a delightful financial cynic. He talked about his proposal for a cashless society, which would remove the currency channels currently used by criminals (who don’t contribute any tax). Instead, he proposed two new systems. One with light coins, that have traditional tax payment systems. And every payment is made and published on an open and transparent light block chain. And then a dark coin system. Where anybody that wants anonymity for the purchase can do so, but at a price. And instead have to pay an extra 20% tax in exchange for going unnamed. Great talk, and hugely entertaining speaker.

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Alice O’Connor spoke about the collections of readme.txt’s that she has collected over the years. Some were beautiful, some were funny, some were tragic.

Dave Murray-Rust is a scientist and artist that focuses on hidden interactions in our fabricated lives. He took us through some of his recent projects. My favourite were the cybernetic flowers, that displayed maslovian behaviours. He also took us through the options we have to ensure some of our lives still remain hidden – from Merel Brugman (who created fake facebook holiday snaps in photoshop) to changing location data to varying degrees. Fun talk to finish the day.

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Looking forward to next year, Playful. Thanks for 2014.

 

Popped along to the APG Big Thinking event yesterday.

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The schedule was full of heavyweight strategists and thinkers.

First up – Guy Murphy, talking about Global strategy. He looked back at Theodore Levitt’s theory of globalisation – a theory that assumed consumer taste would homogenise, as companies used economies-of-scale to offer cheaper uniform products around the world. A logical theory, but one that hasn’t quite come to fruition. Instead, our love for variation over uniformity has won out. Technology and economies of scale didn’t create a global consumer, but it did create a global culture. The best bit though, is that that global culture didn’t push out local culture. Instead it’s sort of overlaid onto local variation. Leaving us with a different approach to marketing – ‘glocal’. An embarrassing word – that perhaps falls between two stools. But at least it uses local culture as a creative multiplier, rather than ignoring differences around the world.

Bridget Angear was up next. She explained her recent attempt to prove a link between strategy and effectiveness. Working under the assumption that great thinking (awarded by the APGs) leads to great work (lets ignore creative awards for now) which leads to great results (awarded with IPA effectiveness), she totted up the number of campaigns that had won at both APG and IPA in the last decade. From 35 Gold APG awards and 40 Gold IPA awards, only 5 campaigns claimed both. (The five were ‘Think – Road safety’, ‘Honda – Power of dreams’, ‘Sainsburys – Try something new today’, ‘Dove – Real beauty’ and the Home Office work.) Ignoring the cringe boast that AMV can claim to have created two of those five, Bridget made a strong argument to bake effectiveness in from the start of campaigns. She also mentioned that the IPA effectiveness judges dismissed over half of this years papers because they didn’t state their objectives properly!

Ben Malbon spoke about his experience agency side and Google side. Despite slide malfunctions, he was one of my favourite speakers of the day. When he started at Google, strategists were noticeably absent. It took him about 6 months to work out that strategy does exist at Google, but its not embodied by people called strategists. Just as creatives are the rockstars of the ad world (and planners are the unsung, unloved, underpaid roadies), tech companies glorify engineers and UX designers over product managers. But product managers are the mini-CEOs that decide whats made, how its made, for whom, how its launched, what happens at launch etc. Product manager – a boring title, for a fascinating job. They operate at the intersection of business, technology and UX, and have to be able to converse in all three, with fluency in at least one.

Ben talked a lot about Mintzbergs two classifications of strategy: deliberate and emergent. Deliberate is grand strategy, it’s stepping back and seeing the big picture. Emergent is much more agile, adaptive, iterative, and messier. Deliberate is hard. Emergent is even harder. The old view of planning is that it exists to give creatives an unfair advantage. Which is fine, but uses only ‘deliberate planning’. Ben argued that todays strategists should work throughout the project, rather than handing the baton over to creatives half way through. Quoting Noah Breier, we heard we should spend some of our time thinking about building systems and models. We can add value at this later stage of the project by adding constraint, by focusing and funnelling effort. By defining a system for the brand (be it ‘Small but tough’, ‘The Axe effect’, ‘Keep walking’, The man your man could smell like’ etc), we then don’t need to keep making new ones. Once defined, you can invest your time in an emergent strategic approach, finding things that can run on the system.

It’s a fundamental point – planners sometimes get themselves in trouble in this area. New ‘operating systems’ get rewarded much more than ‘software’ in agency environments. So planners try to reinvent the wheel, creating new grand strategies. Instead we should be thinking about what runs on the system, the emergent stuff.

Adam Morgan was his usual brilliant self. He talked us through a slim section of his new book ‘A beautiful constraint.’ He started by explaining that in the past, categories have structured around tradeoffs, poles of values… So you can be fast, or you can be fuel efficient. Healthy or quick. Good quality, or good price. Brand strategy involved choosing one of those poles, and then linking yourself to that pole through creativity. But new emergent businesses are challenging this traditional view and finding new positions straddling both poles. From Whatsapp (cross platform mobile comms for free), to Zara (latest fashion and low prices), from Chipotle (good value, fast food AND sustainable) to Aldi and Lidl (quality + price…) And that’s interesting because its creating a new set of consumers – unreasonable people. Or ‘Ubers children’ as Adam put it. The million dollar question for agencies is , how can we move our established steadystate clients into this pole-less era. Before someone comes in and gets there first.

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Sir Lawrence Freedman, author of ‘Strategy – A history’ and todays keynote speaker, was fantastic. His talk, called ‘From the war room to the board room’ revealed some fantastic quotes. He defines strategy as the art of creating power. He described strategy as a soap opera, not a three act opera. The curtain never comes down – its the evolution of a central idea through changing circumstances. On Sun Tzu, he shared a hilarious slide showing the sales explosion after Tony Soprano mentioned ‘The Art of War’. Sir Lawrence likes Sun Tzu’s text, but questioned its usefulness -it works until you meet someone who’s also read Sun Tzu. Then you’re stuck! He talked a little about famous autocrats and their consistent downfalls. He explained it thusly: when autocrats start out and rise up organisations, they have people around them who challenge them and hone their ideas. But once at the top, sycophants often creep in and surround them. They don’t receive the same challenges they once did, and their word is accepted as gospel – despite its lack of road tests and optimisation from challenging colleagues.

Russell Davies spoke after Sir Lawrence. He split his presentation into three bits: 1. Unsupported theories. 2. Boasting. 3. Things that seemed to work. Lovely. In his usual humble fashion, he talked about how he’s not a grand strategist, or even a good planner. His portfolio says otherwise – he’s not just a great strategist, he’s brilliant at getting organisations to do stuff too. Russell’s first section focused on the shift from a world of persuasion to a world of usability. In previous years, getting a brilliant product was much harder than creating a parity product with advertising. As companies have grown up, they’ve developed huge marketing machines to create persuasive materials. Quoting Richard Huntington, he stated the ad industry essentially exists to differentiate parity products.
But thanks to the proliferation of channels, shorter timelines, smaller budgets, and consumer transparency, marketing has got way harder. But making brilliant products, just got way easier (if you’re a digital organisation that is – one with usability at its core, not persuasion). The single biggest problem we face as agencies is that all clients want to carry on with ‘parity product + marketing’. It’s what we’ve always done, so it seems easier. We’ve got a machine that’s set up to create marketing for parity products, so that’s what we want to keep doing. But you know, ‘more digitally’. So we ask questions like ‘whats our twitter strategy?’ instead of ‘how can technology improve a consumers experience?’ That machine will wind down at some point. So Russell recommended we spend time developing skills making brilliant products over honing persuasion skills.
The Boasting section wasn’t boasting at all – just him showing the accolades Gov.uk has received. All deserved.

Russell’s ‘things that seemed to work’ section was interesting, from a practical point of view. First up, everything should start with user needs. As strategists, we should be working to change the organising principle of organisations to be about that. And that means avoiding innovation until we fix all the basics. As @halvorson put it: “I mean, just basic web and mobile UX fixes would catapult so many companies ahead of their competitors.” His second point was ‘The product is the service is the marketing’. He explained a huge celebrity launch wasn’t needed to direct people to gov.uk, because the multidisciplinary team had pooled their expertise and worked out that they could just redirect every old Directgov page to the new gov.uk page. Thus, the website a quiet, smooth launch – much better than spending lots of money. His third point was that making things open makes them better. He talked about this week’s blunder from a Sainsburys store- where an internal poster asking staff to persuade customers to spend an extra 50p was displayed in the front window. Ultimately, he explained, there is no such thing as internal communication. This sort of stuff is always going to happen. So the best way to talk to your own organisation is to put it into the public. Which is why Gov.uk share all their updates, all their code, everything. And why we should create weeknotes. And all share a bit more.

Charity Charity’s talk was the one that resonated with me least. I couldn’t help but think that she’d misunderstood feminism a bit! She held up 1950s advertising and Cinderella stories as inclusive marketing for women. The work she shared from her own company didn’t quite feel like the Pankhurst dream of equality to me either.

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Malcolm White from KROW closed the day, and with low energy levels, his dry wit was especially appreciated. Couple of nice quotes that I wrote down: ‘The laughing man just hasn’t heard the dreadful news.’ And ‘If you hit ANYTHING, call it a target.’ Defining strategy in a similar vein to Sir Lawrence (“A way of getting more out of a situation than the starting balance of power suggests.”), Malcolm delivered a great talk to close the day. But his ‘Strategy equation’ was a little squiffy, for sure.

Fun day. Sorry for the essay.

Second round from the ‘Illustrators from my childhood’ series.

Whilst up in the Lake District a couple of weeks ago, we popped along to Beatrix Potter’s House ‘Hilltop’ and her gallery in Hawkshead.

The house itself is well-sized and sits proudly up a pebble path.

Beatrix jpegs.001The gardens are beautiful – exactly like in the books. Write about what you know and all that.

Beatrix jpegs.004Beatrix jpegs.005 Inside, the interiors have been preserved from Beatrix’ time at Hilltop.

Again, it was great to see creative spaces; desks and pens and sketches. There’s got to be a book idea in there somewhere.

Beatrix jpegs.002Over at the gallery, they were displaying Beatrix’ cabinet – full of butterflies, beetles, shells, eggs and fossils. Beatrix and her brother Bertram were both passionate collectors – and Beatrix sharpened her craft by drawing and documenting them.

Beatrix jpegs.003The detail and accuracy that Beatrix developed drawing from her insect and geological collections shows in the intricate illustrations from her books.

Beatrix jpegs.007 Beatrix jpegs.006It’s a great little gallery and well worth the trip if you grew up reading Beatrix Potter at bedtime story time.

Last month I popped along to the Quentin Blake exhibition ‘What does an illustrator think about?’ at the new House of Illustration.

Quentin.001The exhibition is an absolute delight – a parade through some of my favourite books from childhood.

It’s amazing how Quentin’s illustration style hasn’t aged – it still feels as fresh and magical as it did back when I was a child.

These two have stuck in my mind from when i read the books. They’re as great up close as an adult as they were during bedtime reading as a child.

Quentin.005I seem to find myself perpetually drawn to the components of creative peoples spaces; their tools, their desks etc. Where I go, I generally end up hunting them down. So it was nice to see some of Quentin’s materials and instruments on display – no searching required.

Quentin.002One of the fascinating parts of being an illustrator must be choosing which part of the text to illustrate, and then laying it out into book form. There’s a couple of examples from the exhibition below that really give a window onto Quentin’s process.

Quentin.004 Quentin.003The development of each image is equally fascinating. Seeing how the Twit’s house was refined throughout creative development was one of my favourite parts of the exhibition. If you can go, do – its fantastic to see it up close.

Quentin.006Quentin’s mastery of illustration really shows when you see him tackling tricky shots, with complex lighting. The below images appears effortless – but it takes incredible talent to create anything like that.

Quentin.007Incredible craft, by an incredible illustrator.

Please do go and support the House of Illustration and see the exhibition for yourself – it’s totally worth it.

There’s a lovely exhibition called Time Machines, focusing on the Argentine designer Daniel Weil, of Pentagram and radio-in-a-bag fame, upstairs at the Design Museum.

He’s recently been creating beautiful timepieces, like the ones below, exploring our physical relationship with time (which has been eroded by our digital world.):

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There was a lovely long desk running through the middle of the exhibition that featured some of his notebooks – a great touch. Daniel says on his notebooks “It’s not an automatic process, there are good drawing days and there are bad drawing days.”

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Popped along to the Design museum the other day to check out the Designs of the Year exhibition.

It’s jampacked with beautiful and intelligent creations – here’s a couple of favourites:

1) Chineasy

An illustrated learning method, to help people learn Chinese. Each images was designed to ensure the Chinese character was no less than 80% of each illustration. Such an amazing idea.

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2) Lego Calender

I’d seen this on twitter when it was first launched – lovely physical calendar in our digital world. In many ways, I’m less fussed about the fact it can sync with digital diaries via a photo – for me, it’s just a beautiful piece of physical design.

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3) Silk Pavilion

My out-and-out favourite of the exhibition was the silk pavilion; a piece that explored the relationship between digital and biological manufacture. The project used an algorithm to based on the spinning patterns of silk worms to create 26 polygonal silk panels. These panels created a dome, onto which 6500 silkworms were released. The silkworms worked industriously to to add thickness to the panels – creating a darker, denser material. Anthony Dunne, who nominated the piece, asked the question: how far are we prepared to go in the redesign of other life forms to meet our own needs, and who decides? An important question for the future.

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4) Phonebloks

Saw this on Kickstarter and was so impressed, I thought it was fake. Amazing to see it up close – proof that it could happen soon. Brilliant idea for customisation, this project aims to break our habit of upgrading entire phones each year, instead allowing owners to replace damaged, broken or obsolete product features part-by-part.

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5) ABC Syringe

This design could have a huge impact on the medical community – a syringe that changes from clear to red when its exposed to air. Unsafe use of syringes accounts for 1.3 million deaths a year, but after two years of development by Dr David Swann, this syringe could tackle the issue – allowing a user to know if a syringe is sterile and safe.

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6) Bradley timepiece

Lovely piece of engineering – a watch for blind people, that allows the wearer to feel the time by touching small ball bearings, which are held in place by magnets. A sleek, durable, private alternative to speaking clock watches currently on the market.

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7) Generations game

A mobile phone gaming app that is designed to be played over… centuries. It’s been designed to bring the idea of digital heritage to life. No idea how to play it, but a lovely thought.

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3 breakfasts down…

First one – Akuri at Dishoom. Amazing breakfast (including the englishified sausage, bacon, tomatoes…)

IMG_2220 Brioche and Cafe au Lait… just at work.

 

IMG_3384This isn’t my photo – but I had the same breakfast at Breakfast club and it was gooood.

Huevos Rancheros.

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Comedy#2. Steve Richards, @ The Park Theatre, Rock and Roll Politics, July 6th 2014

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Super cool gig in a super cool venue. I’d always looked in at The Park Theatre when I lived in Finsbury Park, but I never saw anything that took my fancy. So it was nice to see Steve Richards was booked there, the compere we’d seen at the TEDxHouseofparliament a couple of weeks previous.

Steve Richards talked about the discourse of politics. He was fantastic. He talked about the Shakespearian tragedy and comedy of politics, and the unfortunate inauthenticity of today’s politicians. Favourite anecdote had to be about Pastygate and Cameron’s attempt to prove he’d eaten one.

Comedy#1. Stewart Lee, @ The Soho Theatre, A Room With A Stew Work-in-progress show, July 5th 2014

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I’d been working in Sweden the week of this gig, and flew into Heathrow late afternoon – so it was touch and go whether I’d get to Soho in time for this. But I needn’t have worried – the taxi driver hotfooted it back to central London so quickly, I beat Soph to the theatre.

Stewart Lee is hands down the best comedian I’ve seen to date. He deftly switches between egotistical snobbery and humbleness/intimacy and as an audience, you’re not sure at the start of each quip whether he’ll take the voice of Stewart Lee ‘the comedian’ or Stewart Lee ‘the man behind the comedian.’ His entire act is a rollercoaster – you can’t tell which way he’ll turn. I saw his show Carpet Remnant World last year, and can’t wait to see the full show this year when he tours it.