Piece: The Sistine Chapel Ceiling
Artist: Michelangelo di Lodovico Buonarroti Simoni
About: High renaissance painting, in which nine scenes from the book of Genesis are shown. Michelangelo painted in a cramped position over four years, a position he became so used to that when he received a letter during this period he had to hold it over his head and bend backwards to read it.

Sistine Chapel

Piece: Ognissanti Madonna
Artist: Giotto di Bondone
About: The Italians were convinced that an entirely new epoch of art had begun with the appearance of Giotto: he rediscovered the illusion of depth on a flat surface, with the use of foreshortening, and shadows.

Madonna and child enthroned with angels and saints

Piece: The Birth of Venus
Artist: Sandro Botticelli
About: As soon as the idea of making a picture a mirror of reality was adopted, the rigid systems that had previously created such harmony in pictures were thrown out of the window. Botticelli managed to create an image that was balanced, harmonious, and beautiful without rigid symmetry. So much so, we don’t notice the liberties he took – look closely at Venus’ unusually long neck, and her curve dropped shoulders.

The Birth of Venus

Piece: David
Artist: Michelangelo di Lodovico Buonarroti Simoni
About: The sheer scale of this statue amazed me, I’d always though it would be much smaller. Originally commissioned to stand on the Duomo cathedral roof, the Vestry board decided it was too beautiful to be put somewhere so out-of-sight and so a new site was found for it.

Statue of David

Piece: The Inspiration of St Matthew
Artist: Michelangelo Merisi da Caravaggio
About: Caravaggio’s intention was to copy nature faithfully, whether it be beautiful or ugly. His use of light is harsh and in your face, contrasting with dark shadows, to create a scene of uncompromising honesty. So this piece is interesting because it is in fact a compromise; Caravaggio created a previous version of the painting but it was rejected by the person paying the commission for being too gritty. This is what he created after that round of feedback…

The inspiration of St Matthew

So after much deliberation, I’ve decided on this year’s challenges.

This next year is going to be a bit of a rollercoaster, and keeping myself exploring is going to be harder than ever.

So here’s one I plan on doing at home… Cooking with 28 different herbs and spices, in an effort to train my tastebuds.

Secondly, I’m planning on hunting out 28 works of art over the next year, to try and improve my knowledge of the history of art. Some will be famous masters, some will be chosen because they speak to me, or move my education on.

And thirdly, I’m going to read 28 Roald Dahl books. I’ve been a lifelong fan of Roald Dahl, but its been years since I read him. So I’m planning on digging out both his adult collection and his children collection, and working my way through his catalogue.

So, there you have it.

Challenge 27 is complete.
I felt like I really hit a rhythm this year – all of the tasks were evenly spaced out throughout the year, and I didn’t have to rush any of them.

Japanese restaurants turned out to be expensive, but fantastic.
Here are my top five from the year:

Summary 27.001

The cocktails challenge was great fun – something I’m going to try and keep up. In fact, it helped me find my new go-to drink. The Aviation.


A few of the Nairn’s buildings turned out to be difficult to track down, I was glad to see them all the same. This one really exposed just how little I know about architecture. But I’m glad I did it all the same – it has made me more interested in the subject than I was.
My top five highlights:

Summary 27.002

Like every year before, I’ve taken 27 photos that best sum up the year. They’re here on Flickr.

27 Summary

And with that, onto next year…

Restaurant: Nobu, Old Park Ln
Time: Friday evening
With: Wist
Stand-out dish: Hamachi with jalapeno
A strong finisher. Nobu is a Japanese icon in London – one of the most scene-y places of the nineties. You get the impression nothing has changed since then – the menu, the staff, the decor. The interior – all light wood, frosted glass and brushed metal – certainly feels dated. But the food is outstanding. We opted for the omakase – me classic, Wist vegetarian. Dish after dish of first-rate fare. My favourite was the hamachi with jalapeno, but it could have equally been the black cod with miso, the seared tuna sashimi salad, even the green tea icecream and chocolate fondant. Nobu probably isn’t the best Japanese meal of this challenge, but it’s certainly up there.


#27. Wilton’s Music Hall, Graces Alley
One I’m particularly fond of to finish. Hidden behind a peeling pink door, in a Whitechapel side alley, sits the oldest surviving music hall in the world. Inside, the entire space has been gloriously preserved in a state of ruin. Cast iron solomonic columns support the creaking balcony overhead. Crumbling masonry for every wall. The building was rescued by Frances Mayhew, who managed to secure funding for its refurbishment and introduce a stellar arts programme. A couple of years ago, in front of the stage, I asked Wist to marry me. I love this place.

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#26. Tate & Lyle factory, Factory Rd
A long trip on the DLR to get there, but if you’re near a carriage window, you needn’t worry about missing it. You might think it strange that a factory has made my list, but this one deserves to be on it: it’s entirely Wonka-esque. Brooding, masculine, all shoulders and chimneys, towering over the matchbox houses below. It wouldn’t look out of place on the pages of Roald Dahl – in fact, I half wonder if Quentin Blake used it as a reference for his Charlie and the chocolate factory illustrations.

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Nairn’s London #22
Granada, Tooting

THEN: The outside is any old cinema with a grandiose front and mean flanks. The foyer is like a cross between Strawberry Hill and the Soane Museum; for once the fantasy of films has been matched by fantasy in the cinema. To argue that it is plaster deep is like arguing that La Regle De Jeu is just a strip of celluloid. Ninety-nine cinemas may be a shoddy counterfeit and so may ninety-nine films: but this is the hundredth. Gothic arches are all around in the auditorium, dimly lit by reflections from the screen. When the lights go up there is Aladdin’s cave; and if you walk to the front for a choc-ice or orange squash and turn round suddenly, the view may literally make you gasp. Pinnacle after gilded pinnacle, to the back of the gallery: one of the sights of London. Miss the Tower of London, if you have to, but don’t miss this.

NOW: A short leg to Tooting that’s well worth the effort. The Granada is now a Gala Bingo, and the cinematic fittings have all but gone, replaced by fixed seating and one-armed bandits. But you only need glance beyond them and you can see what Nairn was talking about. Gothic intricacy everywhere you look – in an auditorium of this scale, it’s breathtaking. A brilliant Nairn’s to finish on.

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