I’m not a die-hard Black Crowes fan.
In fact, I’m not a fan at all.

So finding myself surrounded by Black Crowes fanatics, I kept my head down and settled into the support act set – David O’Grady.
Who promptly gave  me a headache.
Cheesy lyrics coupled with predictable acoustic guitar – there wasn’t much to cling to.
He even played a couple of covers to try and get the audience to sing along, which mostly fell of deaf ears. My palms began to itch and I shuffled my feet to the bar – this whole gig’s going to be awful.
Wist tried to comfort me, but despite donning a smile, I was starting to look nervously towards the exit.
I could make my excuses, I could leave…

But I’m glad I didn’t.
Rich Robinson and band came out and played wall to wall blues rock – a sound reminiscent of Free or the Bluesbreakers, but with a shy, endearing front man.
The guitar work was fantastic and his voice held its own.
His band were equally good – the keyboardist had some really nice ideas and managed to get a beautiful hammond sound from his Nord keyboard. The bassist was tight and the drummer imaginative.
I’m not sure whether he played any Crowes songs (my Crowes incompetence made sure of that) but I’ve a feeling he didn’t. Whilst the crowd around me may have been disgruntled, I liked the fact he’s playing what he wants to play. Artists develop and he can’t be tied to life previous.
Great gig – thoroughly enjoyable.

A couple of months ago, Wist and I saw Scott Matthews at Bush Hall.
Sam Brookes, his support, was fantastic and I duly signed up to his mailing list – which helpfully informed me about this gig at the Jazz Cafe, Camden. The Jazz Cafe is quite a hard venue to get your head around – from the outside it looks wholly impressive, once inside you feel a bit disappointed. But when you leave, you know you have to go back.

Sam played main support to Jake Morley. His set was stronger than before – his vocals were richer and he really took advantage of his impressive range. His guitar work was pro and he seemed to hold himself more comfortably on this stage than Bush Hall’s.
The odd cheeky smile or joke showed everyone he didn’t take himself too seriously and he managed to own the stage and fill the room to a much greater extent than the 5 piece band on before him.
I didn’t start writing this blog to rip on any musicians, so I’d rather not talk too much about the opener, Liam Blake, as there wasn’t many positive things to say. He was pretty vanilla and hiding insincere lyrics and a whispered voice behind a full band sound did nothing to convince the audience. He welcomed the Cadbury Sisters to the stage for a couple of songs, but even their ‘Stave’ imitations did nothing to win over the audience and most people were contented holding their own conversations during his turn at the mike.

His set did of course do one good thing – when Sam Brookes started playing – everyone noticed.
The room fell silent and he played a sterling set. He really is one to watch for 2012.

Jake Morley took to the stage by himself for the first song of his set. A skilled lap-tapper and a great songwriter – his first number showcased his ability to drag his audience into his world without the need for a heavy hitting rhythm section or layered backing vocals.
He invited his bassist to the stage for the second track. By sheer coincidence, the man in question ‘JP’ is also one half of Nizlopi – a band I’ve lavished considerable praise on before. JP’s bowed double bass weaved beautifully with the second acoustic track and was a sure sign of what was to come.
One by one, Jake Morley invited his band to the stage and soon the stage was full of talented musos.
The tracks were well rehearsed and the energy between band members was felt by all in the audience – you could just tell this was a harmonious group off stage as well as on stage.
Personal favourites were ‘Many fish to fry’ and ‘Be with me once more’ – playful, sometimes silly lyrics cleverly masking much deeper emotional ground, coupled with catchy melodies and solid support from the talented band.
I agree with HMV on this one – Jake Morley could (and should) be the next big thing.

A friend’s friend’s band – the Great Last.
Regardless – I’ll be as objective as possible.

Turned up too late to see the first two bands.
You wouldn’t have noticed – the room was bare, except for around ten people hugging the bar at the back of the room.

The Great Last came on and requested everyone moved forward, which we dutifully did.
The band played a short set – they sounded like the dirty little lovechild of Arctic Monkeys and Kaiser Chiefs. They have all the minerals – arrogant singer, tight drummer, locked in bassist, confused-by-own-pedals guitarist and decent keyboardist. Decent enough for Friday 13th at Camden Barfly.

The Blood Sport headlined.
I liked them – their keyboardist/guitarist was very good, the bassist exceptional, drummer equally brilliant and a confident singer. They sounded quite eighties, but in a good way – and played for a decent enough amount of time. The quality of songs let them down – there wasn’t anything that stuck out as a hit – but there was enough of a bite there to see them going somewhere soon enough. They just need to keep writing. And work out how to end songs (fade outs just don’t work live!)

This gig review is never going to be objective – I must confess I used to play in a band with Andy Oliveri in years past.
Nevertheless, a review is still in order.

The venue – small, intimate, covered in fairylights, organic cider in bottles. A nice place to see some nice folk.

First up – Drew Worthley.
Mid-set chat was warm-hearted, light and he came across as a good guy.
If only he’d managed to drag that across into his music.
Whilst technically good, his performance felt wooden and his lyrics were cheesy than a budget Mills & Boon knock-off. The only way a solo singer-songwriter can rally the audience up is if share something of themselves. Unfortunately, with Drew it felt like he was projecting what he wanted to be, not who he was.
He needs to get back to his roots – and play from the heart – not from a Clintons Valentines card.

Second up – O.Chapman
Oliver Chapman was closer to the bullseye. A young, talented guitarist with a distinctive voice and strong lyrics. The songs were stark and bare, but it suited the intimate venue and made the audience really sit up and listen.
He brought a bassist on for a couple of tracks – again a very gifted player but unfortunately for me, it just didn’t sit in the mix. Electric bass should really only sit with drums.
If Oliver didn’t want a kit on stage (only the most expressive and talented of drummers could have played without ruining the vibe) then he should have gone without the bass.
And he should have signed up a cellist instead. It would suit his music, could have provided real lift to his tracks and would have added to the mix instead of breaking it.

Headline – Andy Oliveri
Andy came out and played a corker.
His voice has come on in spades since I last saw him, and his guitar work was second to none.
His mike technique was better than the previous performers, and you could visibly see the sound engineer relax as he realised he wouldn’t have to push the system so hard with this artist.
The songs were great – you can tell he’s writing a lot at the moment. Some felt a little more fleshed out than others – I must admit I’m a bigger fan of Marigolds and Balance on a rope to My Father’s Son.
But it didn’t matter – all were played with skill and emotion.
His harmonica playing also didn’t fail to deliver – beautiful.

It’s not often you stumble across as beautiful a venue as Wilton’s Music Hall.

Tucked away in the east end of London, behind a pub fascia is the oldest surviving music hall in the world.

Half derilict, it’s crumbling state seems to add, not detract, from the warm atmosphere you sense as you enter.

Unfortunately we were too late to see the first support act, but amused ourselves playing table tennis and drinking whisky in the mahogany bar.

Duke Special played with a string quartet – showcasing his new album ‘Under the Darkcloth.’

A masterpiece from start to finish – it has to be one of my favourite gigs of all time.
Duke Specials honesty and originality bleed through his music and the broken state of many of the subjects addressed in the songs are only exemplified by the surrounding venue.

I’d recommend both Duke Special and Wilton’s to absolutely anyone – the entire evening was fantastic.

A very kind friend offered me a free ticket to go see these teen-boppers and I jumped at the chance.
A free ticket to a gig – of course!

Little did I know we’d be surrounded by DIE-HARD Hanson fans…
The first act played – very cute chat to the audience between songs – but unfortunately the songs were fairly predictable…

Hanson came on to rapturous applause. Or at least I think they did.
I pretty much lost my hearing from the sheer volume of middle-aged women screaming until their lungs collapsed. The audience was comprised almost entirely of females. Myself, my friend and a couple of sombre and sober looking chaps (with screaming girlfriends in tow) provided the only masculinity present in the room.

The band were actually extremely tight – some tracks were near mechanical – but you’d expect it after 15 years of playing some of them.

Overall a pretty good gig – I wouldn’t have chosen to go myself but I’m glad I did.

Unfortunately I’ve been a little bit sloppy and left it over a month since I attended this gig before putting fingers to keyboard. Luckily – it was brilliant and I remember it pretty vividly.

The Kashmir Klub reunion, held at Union Chapel comprised 14 artists (each playing 2 or 3 songs) paying tribute to the Kashmir Klub – an old iconic basement club started by Tony Moore in 1997.

Stand-out acts on the night were Jamie Lawson, Tom Baxter and Earl Okin.
Jamie Lawson appeared particularly shy – didn’t even introduce himself – but played a beautiful song ‘I wasn’t expecting that.’ I certainly wasn’t.
Tom Baxter played several tracks – all fantastic. A real talent to be reckoned with.
Earl Okin played upon his odd looks with a hilarious song ‘My Room.’ A very funny act and a surprisingly talented musician.

Two crowdpleasers also didn’t fail to deliver – The Feeling and Nizlopi.
Both played their most famous tracks, much to the audience’ delight.

Great night.

I love this song at the moment.

Bush Hall is one odd venue.
The walk from the tube is laden with late night kebab shops, rowdy pubs and 24 hour newsagents.
I arrived early to find the doors shut. If I’m honest the hall didn’t look like it had been open for 6 months – the buildings flanking it had boarded windows and the doors looked like they’d take some weight to budge.
I left to meet a friend and returned a little later.
Upon my return, the doors were (finally) open. I stepped inside expecting to find a run down pub/gig venue.
*jaw drop*
The hall is beautiful. Chandeliers hang from the roof, the ceiling’s ornate, a grand piano sits in the corner: the atmosphere is fantastic.
(Photo copyright: Lotte Mullan)

First up – Sam Brookes.
Sam Brookes has recently released his first album.
He plays guitar like Ray Lamontagne and Fionn Regan have personally tutored him. He leaves space where it’s needed but knows when it needs pushing too. Despite playing without a band, he managed to create a big sound that bubbled beautifully underneath his vocals.
Sam uses his impressive vocal range to his advantage – he skips from powerful gut singing to head voice quickly and easily – it’s a huge skill to use different voice without detracting from the song and Sam has it in spades. Well worth looking up.

Next – Lotte Mullan.
A quick google search on Lotte drags up quite alot – work experience at Sony, a £2m film deal, myspace, herspace, bandmix, bandcamp – she’s quite clearly very adept at self promotion.
So gearing up to watch her, I had high hopes. Which is probably why I found myself a bit disappointed – her voice was spot on, band work great, she held the room well but I just found the whole set a little deflating. It’s a real shame because she’s clearly got a bucketload of talent but something just didn’t connect with me on the night. Shame.

Scott Matthews on the other hand, managed to over deliver.
The first win was a presence of a band. I’d assumed, from watching live videos on youtube, that he’d either be touring solo or with a cello player in tow (who is bloody brilliant by the way.)
In fact – he also brought a tight as tight rhythm section who lifted the entire perfomance immensely.
His music is meant for highs and lows, rise and fall – and with a band backing him, it allows him to do so perfectly. They were brilliant.
The entire band were at ease on stage – he’s vocals are a real force – they flow like strings throughout his tracks without his face even moving. Truly unbelievable.